Skip to main content

Compartes in the Brentwood Country Mart


From 1979 through the early 1980s, when my family lived in Los Angeles and when I was between the ages of ten and fourteen, one of my favorite treats was to go to the Brentwood Country Mart, which had a quaint, carefully arranged rustic charm, a rather folksy feel to it at the time. We would often go for lunch, which we ordered at the Reddi Chick counter, a fabulous rotisserie and barbecue chicken place that would prepare a basket for you with a side of fries piled high in a red and white patterned paper food tray. (Side note: Reddi Chick opened in 1979, the year we arrived in L.A., and it is apparently still operated by the original owners, Steve and Carol Salita.) We would take our food and find a table at the Mart's open-air patio—preferably a seat near the central fire pit, which was enclosed with a black (or smoke-blackened) mesh. The chicken was fabulous, but the best part about a trip to the Country Mart was the promise of what might come after lunch: a visit to the tiny, mom-and-pop chocolate shop, Compartes. Walking into the shop from the patio, you'd see an older woman—I think she may have been the shop's originator, Myrna Comparte—busy behind an L-shaped configuration of display cases. I remember her as often wearing a pink smock of sorts, though perhaps this is my own bit of confection. She reminded me a little, for reasons having more to do with a general "European grandmother" aura than with any physical feature, of my own yiayia. Or maybe it was just that she was a source of sweets; that alone seems to merit a grandmotherly association. In the stainless steel and glass display cases, meticulous pyramids and rows of hand-dipped chocolates beckoned. There were many chocolate-robed fruits (whole dried fruits, glacĂ© slices, orange peel), plenty of dense caramels and nut clusters, but I always only wanted one thing: a log of English toffee. Compartes' English toffee was the freshest and best I have ever tasted. The coarsely ground nuts gave a toasted crunchy coating to the generous layer of rich, soft chocolate that in its turn surrounded the hard (yet somehow melt-in-your-mouth) buttery core of the candy. I would order a single piece, and it would be handed to me in a thin sheet of waxy paper. Something about that fact made it even more special; it was perhaps my first taste of candy that did not come pre-packaged, but that someone pulled lovingly from a case just for me. I would give anything to have a piece now. Of course, I had to do a quick Internet search to see if Compartes still exists. It does, but I don't recognize anything that conforms to the shop I knew when I was young. Like me, the shop is all grown up. It has moved from its old home in the Country Mart, and, looking at the shop's website, it's clear that it's become a very upscale boutique where the chocolate is displayed like fine artwork—and probably costs as much. Supposedly the new shop (with its new owner) has kept the old recipes, the famous fruits, the careful techniques of Myrna Comparte; but it must be said that the homey, comfortable feeling seems gone, and the product itself (though earning plenty of accolades), looks more to me like eye candy.


Comments

Anonymous said…
Did you try the new product that they offer? Reading your post it seems that you say based on the "Look" of the website that the comfortable feeling seems gone and the products look like eye candy, but you don't say if you tasted them or not? How can you judge something like candy without having tasted it? If they say that they kept the same recipes then aren't you jumping to conclusions about the taste of the chocolate without having sampled it. I suggest you do some research and see what you come up with. I, for one, like it when brands grow up and evolve to fit the current climate, in this world, thats what needs to be done and just because this shop grew up a little in your words, doesn't necessarily mean that that great English Toffee you loved and treasured is not the same as it used to be or better, right?
A. C. Parker said…
Thanks for commenting. I agree: you cannot judge a product without tasting it first. I was really not making assumptions about the taste so much as the LOOK of the candies, the overall atmosphere of the store. What struck me, and what I commented on was ambiance, packaging, appearance. There are chocolates and candies photographed that look lovely, ravishing, every bit the pieces of art that their displays suggest that they are--I'm sure they're heavenly chocolates. But the experience would clearly never be the same: the feeling of walking into a cramped space full of simple, very unfussy-looking, familiar treats, and being served by a European woman of the "Old World" who looked at home in her surroundings and made you feel like she was your own grandmother. That is a very different experience. My choice of the term "eye candy" really was meant to focus on the "eye" part of it . . . not to suggest the product is inferior in any way. It's just not the same kind of place, and it's true that more and more there is a loss of the "mom and pop" places--not just in candy shops, but in bookstores, in other industries. This may claim a direct heritage from the original family, but it doesn't "feel" family anymore, really, in its looks.

That said, I agree with you on some points. If the new, contemporary look means that more people will discover a great product, then I'm all for it, don't get me wrong. I also think that they deserve credit for adapting to today's market, and to expanding. We can't stagnate in business any more than we can stay children--that does not preclude the wish sometimes, though, for childhood comfort!

Popular posts from this blog

Ships (Westport, CT)

I graduated from high school in 1987, and although I had applied to college (one only, I knew what I wanted) and gotten my acceptance, I deferred matriculation for a year. It was for the best. Teen angst and anger were peaking, I was sick of school, and really it would've been a waste for me to go straight through when all I could think of was living on my own in the "real" world. Well, I got a dose of that. A good dose of what I could expect to do with a high school diploma and—let it be said—a bunch of shifty slackers for roommates, whose only ambition was to get wasted and stay that way all day. Except that I was not a slacker; that's something I never have been. And even if I had wanted to party—illegally, mind you, I was still underage for beer let alone the rest of what was out there to be had—well, there wasn't the time or energy for it. After a somewhat lost summer following graduation, I set about getting a job, a checking account, and an apartment, tryin

Touch Club

Another experience to come out of my father's L.A. years with Playboy was involvement with a private, membership-based Beverly Hills supper club called Touch. The connections are fuzzy in my mind. I always want to say that the club was backed financially by Playboy Enterprises, but I'm not sure this is accurate. It may have just been that one of the club's owners belonged to Hefner's entourage—being one of the many who made it their business to stop by the Playboy mansion on a regular basis. Or perhaps he (I forget his name, despite having heard it regularly at one point in my life) was a salaried employee of the company, linked somehow to club/casino operations? However it came into being, the Touch Club opened in the early 1980s (perhaps it was the year 1980; it was eventually sold in 1986), and we dined there sometimes, my parents and I; this was always a special occasion I got to dress up for. I don't remember the menu, but based on the intended clientele, I'

Polly's Pies

Today I made a fresh strawberry pie. Maybe it's the wishful thinking of a transitional season: it's spring officially, but you don't quite feel it yet, at least not in New York. Making a fruit pie can't force sunny spring weather to come any quicker, but it still tastes good, and the color of the pie, glazed with a fruit/sugar/cornstarch reduction, is a cheerful anecdote for the often rainy and gray sky in early April. I used to have my paternal grandmother's recipe, but looking for it this afternoon, I couldn't find it. I ended up substituting a recipe from another trusted Southerner, Lee Bailey, whose Southern Desserts cookbook has been on my shelf from the time I first had my own kitchen. The pie came out great—actually, it was better than my grandmother's version (or my misfired attempts at her version, should I be the one at fault). But all this thinking about, making, now writing about pie has brought up another landmark of memory: Polly's Pies in